Showing posts with label Czech Republic. Show all posts
Showing posts with label Czech Republic. Show all posts

Tuesday, October 8, 2019

European Musicruise 2019 # 2: Prague's Crown Jewel

There could hardly be a better way to spend a brisk, sunny fall day in Prague than to devote some hours to a detailed look at the wonders of Pražský Hrad ("Prague Castle").  This ancient fortification looms on a tall escarpment on the west side of the Vltava River towering above the Malá Strana ("Lesser Town").  I took this photo of the Castle and the Lesser Town last year from the ancient Charles Bridge.


Plainly, the Castle today consists of some massive palaces, although there are a number of smaller buildings for various purposes and four churches within the walls.  You really need to see an aerial view to understand the sheer size of the entire complex.  So here's an internet photo, with the Castle outlined.


It's easy to get to the Castle by public transit.  At the foot of the hill is a major transit hub called Malostranská.  There's a Metro station on Line A here, and no less than twelve different tram lines stop at this point also.  So you can get a tram to Malostranská from many different parts of the city.  At Malostranská you transfer to either a # 22 or # 23 tram.  These trams climb the hill and then run along the broad boulevard at the top of the picture above, just north of the Castle.  You get off at the second stop from Malostranská, which is called Pražský Hrad ("Prague Castle").  All stops are announced as you arrive at the stop before, and then again as you approach the stop you want.  A one minute walk then brings you to the security checkpoint (walk-through metal detectors) before you cross the footbridge to the Castle entrance, taking in the spectacular structures towering above you as you go.


 A very important detail to know: you do not have to buy a ticket to enter Prague Castle.  You are free to wander wherever you want in the outdoor areas, admiring the buildings, taking advantage of the several cafes, and just soaking up the atmosphere.  But -- and it is a big "But" -- you need a ticket to go inside any of the buildings and museums, or to enter the narrow, picturesque commercial alleyway known as the Golden Lane.

The tickets are sold at several "Information" points within the Castle -- the main one is directly across from the entrance to the Cathedral.  There are two choices: an A ticket covering everything, or a B ticket which covers four main sights: the St. Vitus Cathedral, the Basilica of St. George, the Story of Prague Castle exhibition, and the Golden Lane.  At every entry point, the bar codes on tickets are scanned by automatic turnstiles.

The Castle dates back for well over a thousand years, and has served as a seat of government for much (but not all) of that time.  Today, it houses the official residence of the President of the Czech Republic.  Most other countries' official presidential homes would tuck neatly into the courtyard beside the cathedral, with room to spare.  Eat your heart out, White House!

Crossing the footbridge, you enter the Castle through the walkways on either side of the arched gateway under the main palace, a gate which is guarded at all times by soldiers in dress uniforms.



Try to go through the main arch and you will be quickly, politely, but firmly "deterred" by a soldier in the standard uniform, carrying a businesslike firearm.  (Voice of experience, I walked through on the way out at the end of my visit -- my bad).

Inside the arch, you're in a courtyard of the palace.  Highlights of this courtyard include this fountain...


...and the delicately beautiful Chapel of the Holy Cross.


Turn left and pass through another arch, and you come face to face with the impressive facade and towering spires of the Cathedral.



The "Metropolitan Cathedral of Saints Vitus, Wenceslaus, and Adalbert," to give the church its imposing formal title, is the largest church in the Czech Republic, by a fair margin, and has many architecturally unique features, as well as some striking art works and stained glass.  It was begun in 1344, with much of the building completed by the end of that century.  However, the Cathedral was not brought to its fully completed final form, as we see it today, until 1929!  It was the final years of this work that brought much of the most spectacular stained glass, the work of twentieth-century artists. 

The exterior certainly reflects that checkered history, with Gothic spires on the front, but Baroque onion domes on the main tower on the south side.  The elaborate gilded window tracery on the main tower and the gold-tiled mosaics above the south door both speak to the fact that the base of the tower houses the ornate St. Wenceslaus Chapel, the royal tombs, and the vestry chamber in which the kings would be robed before entering the church proper for the coronation.
 


With that, here are some pictures of different aspects of the interior.








The Cathedral is located on the highest point of land inside the Castle.  As you walk around it, you start going downhill towards the lower eastern end of the hilltop.  Behind, and below, the Cathedral is the Basilica of St. George.  Outside, it shows a Renaissance facade that would be right at home in Rome or Florence.  


But behind that deceptive facade, this church is older -- far older.  The roughness of the stonework, the tiny Romanesque arched windows in the thick, massive walls,...


...the faded remnants of frescoes on the ceiling,...


...the Gothic paintings on a wooden tomb shaped like a house, all speak to a history so lengthy that the neighbouring Cathedral seems almost a young pup by comparison.  This church was begun in the year 920, and enlarged some 50 years later.  Then it was rebuilt following a fire in the 1100s, and that's the building you see today (apart from the six-centuries-younger Italianate false front).


One of the oddities of this very old church is that the walls are not exactly parallel because the floor plan is not a perfect rectangle.  The two sides are closer together at the altar end than at the entrance at the rear of the church. 

Continuing downhill through the Castle precincts, you pass a number of palaces.  Oddly enough, they all look pretty much the same, since all were built or rebuilt at the same time period in the 1700s.  The ground floor spaces facing the street house a number of shops and cafes.

As the hill starts sloping down more steeply, you come to a small square on the left which slopes back up.  This is the entrance to the Golden Lane.  Plainly, these smaller houses jammed up against the Castle's exterior walls were the homes and shops of various artisans and workers -- and particularly of goldsmiths, hence the street's name.  Some of the houses have exhibits of everyday life; others contain shops selling unique handcrafted items that are not all labelled "Made in China" (or wherever).

 
Behind and above the houses runs an enclosed walkway along the rim of the outer wall, with small windows facing outwards that would be used in battle to shoot at approaching enemies.  This walkway houses a fascinating collection of suits of armour and related weapons.

At the bottom end, as you leave the Golden Lane, you have access to an outdoor terrace with views over the city.   


From this point, you can continue downhill into the Lesser Town, down the Castle Steps -- a route which will take you right back to the Malostranská transit hub.  Or, you can turn back into the Castle and climb back up. 

That's what I did, and soon found myself (a) hungry and (b) thirsty and (c) sitting at a table in the cafe inside the Lobkowicz Palace.  The small outdoor patio has a spectacular view of the city, but I wasn't able to get a table there.  But it's all good.  The service was fast and friendly and I had a classic Czech lunch of beef goulash with dumplings and rye bread, very tasty, and a glass of wine -- with a decent cappuccino to chase it all.  Happy camper.  

Thus refueled, I made my way back up the hill past the Cathedral and retraced my steps out to the tram stop to return to base.

I spent about 3.5 hours on my tour of the Prague Castle.  I could easily have spent more.  What you don't want to do is to take one of those quickie tours that whips you through all the highlights in thirty minutes flat.  Doing it on my own and taking my time was much more rewarding.

* * * * * * * * * * * * * * *

The next day was cloudy, with steady light rain promised for the afternoon.  I was able to get out and walk around in the Old Town area before the rain hit, and have a few more photos to share.

The entire Old Town area is either a pedestrian zone, or else has such narrow streets jammed with pedestrians that car drivers can only wait, as they would for a flock of sheep in Scotland or New Zealand.  Prague is one city where you absolutely don't need a car at all.  With transit fares sitting under $2.00 a ride, and so many undriveable streets, a car makes less than no sense.

Having said that, as a pedestrian you do have to be careful for sightseeing vehicles, delivery vans, and private cars alike, as well as hazards like the trams whizzing right through the pedestrian area of Republic Square.



Those trams are especially dangerous because you, if you are even halfway a normal human, are walking much more slowly than on regular pavement -- and that's because of the cobblestones.  These range from the huge ones between and around the tram tracks...


 ... to these mid-size square versions...


 ... and the very artistic mid-size-arranged-in-fan-shapes style.


The absolute worst are these rather attractive smaller ones which often form sidewalks.  They look pretty, but those polished top surfaces suddenly become like a skating rink in rainy conditions.  All the cobblestones are slippery when wet, but these ones are a positive menace.


The worst part?  They're all at different heights -- the surfaces are incredibly uneven.  To survive in cities like this (you find these cobblestones in many parts of Europe), you absolutely must have good, sturdy, supportive, and properly-fitted walking shoes.  Every time I come to Europe I see people sitting on the walls or curbs as they nurse some whopping huge blisters, just because they ignored this universal advice in favour of their beloved crocs or flip-flops.  There's one born every minute.

So I stop and look around to take pictures, rather than trying to take them on the move and tripping over the damn cobblestones.  And here's what I got on my second full day in Prague, between bursts of bad weather.  First, an interesting piece of Old Town architecture, perfectly fitted (out of sheer necessity) to the odd, triangular plot of land on which it was built.


An elaborate sculptural frame with a very small window hidden somewhere amid the swirling figures.


One of the numerous quiet little squares hidden all over the Old Town.


Not far beyond that square, I walked down a narrow alleyway and then found myself emerging into Old Town Square, the heart of this district.  Along the way, I correctly deduced that I was walking along one side of the Church of Our Lady Before Tyn, which dominates the east side of Old Town Square.  I thought, "Good -- now I'll see what the front of this church looks like."  No, you won't -- the buildings shown in front of the church are jammed right up against its facade, so it actually doesn't have a facade.  Sneaky trick.  I know you can walk through a narrow little alleyway and emerge into a tiny square open space just wide enough to let you access the front door, but that hardly counts.


The centre of the Square is dominated by the memorial to Jan Hus, the fire-breathing religious orator and reformer whose revolution stood Bohemia on its ear in the 1400s, and who is now regarded as one of the great patriots of the country's history.  As sculpted, the figure evinces the granitic determination and zeal of the man.

 

 The west side of the Square is marked by the whimsically daffy architecture of the Old Town Hall's clock tower.


And where, you ask, is the clock?  There is a clock at the top, on the side facing the Square.  But the old one, the one everyone is looking for, the world's oldest astronomical clock, is not at the top.  That would be too easy.  It's around the corner on the south side, and down on the lowest storey above street level.  Naturally.  But why?



But there it is, all beautifully neat and clean.  Last year when I was in Prague, it was all wrapped up in protective covers and scaffolding while it was being cleaned and repaired.  

The south side of the square has a representative row of Renaissance-era palaces now repurposed as hotels or apartments, with a number of equally representative shops or cafes on the ground level.  Even this late in the season, with temperatures in the single digits of Celsius, the cafes are getting patrons.  A few patio heaters and a nice fluffy blanket on every chair work wonders.


I must have missed this last year, but today I spotted it.  And stopped.  And maybe scratched my head a few times.  But that's tourism for you.  If you build it, they will come.


Friday, August 24, 2018

European Epic # 3: Vyšehrad and Vltava

Any musical readers of this blog may fairly easily guess that the my connecting Swiss airline flights brought me to this place as the next stop on my European trip: the city of Prague, capital of the Czech Republic.



The connection, and the title of this post, derive from the orchestral masterpiece by the first of the great Czech nationalist composers, Bedrich Smetana -- a cycle of six symphonic poems entitled Má Vlast ("My Country"). The first of the six tone poems is entitled Vyšehrad, while the second one is called Vltava.

More on that subject in a few moments.

First and foremost, gentle readers, please note: we are not talking about "Czechoslovakia" here. The two quite different socio-cultural units that were merged together in that forced "shotgun" marriage after World War One now occupy separate countries, with the capital of Slovakia located in Bratislava. Czechs and Slovaks alike are united in hating people who still call their homelands "Czechoslovakia."  You're welcome.

My generation are used to thinking of this region as part of "Eastern Europe" because of our memories of the divided continent under Soviet rule (until 1989-1991), yet Prague is actually farther west than such "Western" capitals as Vienna, Helsinki, and Athens.



Although Prague is one of the busiest tourist-destination cities in Europe, I'm ashamed to admit that this is the first time I've ever visited here. Like many of Europe's main centres, this is a bustling, vibrant modern city with diverse shopping, dining, and cultural opportunities galore, all accommodated in a collection of historic structures from every one of the last 7 or 8 centuries.

The historic parts of Prague spread not only through the "Old Town" on the right bank of the Vltava River, but across the river and the ancient Charles Bridge towards the even older "Lesser Town," beneath the soaring escarpment crowned by Prague Castle.


I spent my first evening in Prague reuniting and reminiscing with an old friend who lives there now, a fraternity brother whom I had not seen for far too long. In typical Prague style, our reunion encompassed a couple of litre steins of local beer and several shots of hruškovice, a clear and innocent-looking pear liqueur (hah!). Result: no hangover (amazing), but one serious case of sleeping-in the next morning.

My first full day in Prague was sunny and hot, and therefore set aside for my pilgrimage to the heights of Vyšehrad. The Czech name means "upper castle/fortress," which makes sense because this sizable hilltop parkland is still enclosed by huge brick-and-stone fortifying walls.

Smetana's musical depiction of Vyšehrad begins with harp chords evoking the singing of a bard, recalling ancient legends. Very authentic, because Vyšehrad is ancient -- the foundations of the fortress and the basilica within it go back over a thousand years. Prague Castle is a relative Johnny-come-lately. The music runs through episodes depicting the glory and strength of Vyšehrad, then its downfall, and the piece ends with a quietly reminiscent recall of the opening harps. Being the musical-historical person I am, I went through the entire day with passages from Smetana's beautiful and heartfelt tone poem running through my head.

Today, Vyšehrad rises as prominently as ever on its steep, rocky headland above the river.


                    Photo by Stanislav Jelen - Self-photographed, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=4799248

It's not hard to see why this of all places was chosen as a natural site for fortification. I like to think that the end of Smetana's music can as easily depict the continuing strength and even the continuing existence of this historic strong point -- as well as its gentle modern-day slumber in the sunshine.

To get there, you just have to take the Metro "B" line to the Vyšehrad station. The Prague Metro is clean, well-signed, easy to navigate, and unbelievably cheap. A single ticket for a ride within the city lasting less than 45 minutes is 24 Czech korunas, or approximately Cdn$1.40. The same ride in London would cost £4.90 or Cdn$8.25. Yikes!

When you get to Vyšehrad station, if coming from downtown, just walk straight out the exit from the platform and up the stairs -- and you'll see directional signs to the fortress. In about 5 minutes walking, you'll come to the first great bastion in the outer wall, and the ancient Tabor Gate.





Inside the gate, just keep following the roadway past some buildings, through the Leopoldova Gate, and past the Rotunda of St. Martin.



As you round the sharp bend in the roadway, you will see ahead of you the Basilica of Sts. Peter and Paul, and beside it the walled Vyšehrad Cemetery, burial place of many of the greats of Bohemian and Czech history. Enter the cemetery, a haven of peace and quiet...



…and navigate your way to the diagonally far corner. This is the main spot I needed to see in my pilgrimage: the grave of Antonín Dvořák, the greatest of all Bohemian/Czech composers, and the first person to make the culture and art of his beloved Bohemia known to the wider world as something distinct from that of the controlling Austro-Hungarian empire.





And since both Dvořák and Smetana have been lifelong favourite composers of mine, it's not hard to understand why a day up here at Vyšehrad mattered so much to me.

The other point of interest up here for many visitors is the Basilica of Sts. Peter and Paul. It's not a large church, but the elaborate decoration of the shrines and chapels within, and the huge wall paintings in the chancel end of the church, rival for scale and spectacle almost anything found in the great Baroque churches of Europe -- yet all within a Gothic structure, an interesting combination. It's well worth the modest admission fee of 9 korunas (about 50 cents).

So here's the great façade...


…and the left side door dedicated to St. Cyril, one of two saints who helped to spread Christianity into the Slavic regions of Europe. The decoration on the doors and the archway is all in mosaic tiles. The similar partner door on the right side is dedicated to his companion, St. Methodius.


A couple of the inside chapel altars:





The chancel end and high altar, showing those huge wall paintings:



On the opposite end of scale, an exquisite small reliquary in the basilica's treasury. It's only 14cm tall, so this picture is near to actual size -- on my laptop screen, anyway.



Leaving the basilica, take a few short steps across the open pavement, duck through the small doorway in the wall, and you'll find yourself on a walkway outside the ramparts with this beautiful view of Prague Castle and some of the bridges over the river to admire.



This view is on a different walkway, just by the Vyšehrad art gallery, which is clearly signposted.



The river is the majestic Vltava, which flows north and empties into the Elbe in Germany, on its way to the North Sea. Oh, by the way, for those who don't know already, the German name of the Vltava is "Moldau," and Smetana's tone poem, Vltava, is often (incorrectly) called "The Moldau." In fact, it is by a long head start his best-known and most popular work, and really deserves to be referred to by its proper title.

If you remember it, and/or choose to listen to it now, you can hardly escape noticing the grandly majestic chord theme just before the end of the piece. That passage depicts the Vltava flowing past Prague, and the chords are (of course) the main theme from the preceding tone poem in the cycle, which just happens to be Vyšehrad.

Aside from this musical pilgrimage, what else happened during my time in Prague? Since I was staying in a Hilton hotel in the Old Town district (the points again, thanks very much!), I could hardly escape spending some time walking around in Old Town and photographing some of the buildings.

Of course, this quickly turns into more musical pilgrimage. The narrow, twisting, cobbled streets of Prague's Old Town and Lesser Town districts were the unsung stars of the 1984 film, Amadeus.


The National Theatre (also called the Estates Theatre) in Prague was used to film the grand opera sequences of the movie, appropriately so since it was the site of the original premiere of Mozart's celebrated music drama, Don Giovanni.



And son of a gun, will you look what's on stage at the National right now?



Not far away, right by the river, is the Rudolfinum, which houses Dvořák Hall. This acoustically magnificent concert hall is the home of the Czech Philharmonic Orchestra. Incidentally, Dvořák himself conducted the inaugural concert of the hall in 1885, so it's fitting that his monument appears outside, facing the concert hall that now bears his name.



A short distance downstream is the historic old Charles Bridge, a UNESCO world heritage site because of its Gothic architecture and the striking religious statuary adorning it. The bridge was begun in 1357 and took about half a century to complete. The statuary mostly dates from the 1600s (and the originals are all in museums now, replaced on the bridge by replicas). King Charles IV has the most imposing monument of all, looking proudly towards the bridge which he began and which now bears his name.



That bridge, not by chance, was the making of Prague as a major trade centre, since the dry-land crossing of the wide Vltava created one of the few through passage ways in medieval times between eastern and western Europe.

The approach to the bridge -- pedestrians only, nowadays -- is through the base of the Gothic Bridge Tower.



Not only is the bridge itself an eye-popping experience (if the hordes of visitors don't deter you), but it gives splendid views of the Lesser Town and Prague Castle. Seeing those places will have to wait for my next visit.





Just south of the Charles Bridge can be found a collection of restaurants all too plainly aimed at the tourist trade. But what the heck -- traditional Czech dishes are offered alongside hamburgers and fries, the outside tables overlook the river, and the breeze was cooling me down nicely after my walk. Two pints of pilsener, some sparkling water, and a plate of roast pork with dumplings and red cabbage went down well. I especially enjoyed the crisp coating on the pork, made by pressing caraway seeds into the thin surface layer of fat before roasting.

After lunch, I walked out to the end of the terrace, overlooking the bridge and the river, and there -- very appropriately -- was a monument to Smetana, forever gazing out over the rolling waters of Vltava to which his music gave true immortality.

Walking back through Old Town would have been a bit of a trial to anyone inclined to agoraphobia, and that's an understatement. The narrow streets and alleyways with their cobbled pavements were so jammed with bodies by this time that I was moving at about half my normal speed.

Just as well -- it gave me a chance to admire the fascinating old architecture all around me.






It's not far from the bridge to Old Town Square, the hub of the central area, and the heart of tourist Prague. The highlight here is the medieval Town Hall Clock, with its animated figures of the 12 apostles which appear in turn every hour. The actual astronomical clock is undergoing repairs (it's located behind the scaffolding and tarps on the lower side of the tower) but it's hoped to have it back in service before the end of the year. Time will tell. (Sorry, I had to do it.) The other imposing presence on the square is the twin-spired Church of Our Lady Before Tyn, on the east side.



If anyone else knows the reason for that peculiar form of dedication for the church, I'd love to know what it is -- I haven't been able to find out.

The imposing monument in the centre of Old Town Square commemorates the 15th-century religious zealot and reformer, Jan Hus, and his famous Hussite movement.



On a final and more whimsical note, although Prague is a historian's dream town, its present-day self includes all kinds of fascinating human activity. From sightseeing tours in open faux-antique cars...



...to blowing bubbles on the street -- on a grand scale...



...Prague definitely has its light-hearted and more entertaining side, too.